Architecture student at Beirut Arab University. Six studio projects across Byblos, Gemmayzeh, Jnah and beyond — built around light, material memory and the people who use the space.
| Location | Byblos, Lebanon |
|---|---|
| Type | Workplace & exhibition |
| Structure | Concrete shell, timber interior |
| Year | 2025 |
Headquarters for a contemporary practice, stepping down the layered topography of Byblos so the building reads as terrain. A courtyard and exhibition zone open the studio to the city, while perforated stone screens and arched openings modulate the light and echo regional construction.
| Location | Gemmayzeh, Beirut |
|---|---|
| Type | Temporary art gallery |
| Structure | Folded wooden panels |
| Year | 2025 |
Drawn from the arched windows and street life of Gemmayzeh, a folded timber system bends with light, movement and the existing trees. Indoor and outdoor rooms alternate along a shaded public trail, giving the neighbourhood a place to gather, exhibit and pass through.
| Type | Botanical conservatory & research |
|---|---|
| Structure | Modular geodesic domes |
| Site | Forested hillside |
| Year | 2025 |
A cluster of lightweight geodesic domes follows the contours of a wooded slope. The central dome holds a multi-climate conservatory; the smaller ones carry research labs, observation decks and teaching exhibits, with paths that merge into the landscape rather than cut through it.
| Concept | The Triangle of Power |
|---|---|
| Type | Residential community |
| For | Students, families, workers |
| Year | 2025 |
Three gathering areas replace rigid urban axes, giving each of the three resident groups a shared ground without giving up privacy. Stepped clusters, courtyards and green terraces organise daily life, with moss concrete and natural materials keeping the carbon load low.
| Location | Jnah, Beirut |
|---|---|
| Type | Educational & cultural centre |
| Geometry | Three intersecting arcs |
| Year | 2025 |
A hybrid learning and cultural centre for women, organised around three intersecting arcs that stand for movement, connection and growth. A raised exhibition hall anchors the composition; shaded public space, fluid circulation and sustainable strategies keep the ground floor open to the city.
| Type | Experiential cultural museum |
|---|---|
| Theme | Memory, identity, lost heritage |
| Material | Engraved limestone |
| Year | 2025 |
Built on Phoenician history and the idea of “The Missed”, the museum moves visitors through a sequence of emotional rooms — engraved limestone façades, water courts, artifact halls and a suspended digital installation — with passive cooling, stack ventilation and controlled daylight doing the environmental work.
A full execution package for a kindergarten project: coordinated plans, sections, elevations and the details that carry them into construction.
I design buildings that stay close to their site — its climate, its stone, and the habits of the people who will use it.
My studio work moves between cultural, residential and public programmes: a firm headquarters stepping down the terraces of Byblos, a folded timber gallery in Gemmayzeh, a housing community shaped around three social groups, and a museum built on memory and loss. Across all of them I work with daylight, courtyards, natural materials and low-carbon strategies as the starting point rather than a finishing layer.
I am currently completing my architecture degree at Beirut Arab University and looking for internship and junior architect opportunities in Lebanon and the region.